A photographer in a dark workshop, back to camera, shooting towards a desk lit by a single lamp.
Photography

Photographs of the work, not of a stock model.

Stills of the job, the team and the product, shot on site and on the day. The library every other channel draws from for the next three months.

The problem

Most businesses are marketing themselves with three phone photos.

Two of them are blurry and one has somebody's thumb in it. Then every ad, every page and every post has to be built around that, and it shows. One shoot done properly removes the constraint for a quarter.

What you get

What is actually delivered.

  • 01On site, on the dayShot where the work actually happens, not in a studio with a hired model.
  • 02A real libraryEnough frames to fill the ads, the site and the socials without repeating one.
  • 03Every crop deliveredSquare, vertical, wide and thumbnail, cut from the same frame.
  • 04Edited and gradedConsistent across the set, so the brand holds from one image to the next.
  • 05Rights and filesYou own the raws and every edit. No lock-in.
How it runs

How the work actually happens.

  • 01PlanOne call to list what the images have to feed, before anyone books a day.
  • 02Shoot dayHalf a day or a full day on site, working around the job rather than stopping it.
  • 03DeliverEdited set inside a week, filed and named so anyone can find what they need.
Contact

Talk to the two people who will actually do the work.